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A Zee Limelight production GULAAL is directed by maverick director Anurag Kashyap (Director of BLACK FRIDAY, NO SMOKING & DEV D). GULAAL which is closest to Anurag Kashyap's heart took shape long back in 2001. It is inspired by a song from PYAASA, 'Yeh duniya agar mil bhi jaaye to kya hai'. The film is a dedication to all the poets who had a vision of India.
GULAAL is set in Rajpur a fictional city of Rajasthan, where a member of the erstwhile royal family stakes claim to the land of Rajasthan and wants to go back to the days of royalty. He wants Rajputana back from the Government of India and challenges the very idea of democracy. His history backs him, his people too, but the power corrupts him...
CHECK OUT: GULAAL - Another explosive by Anurag Kashyap after DEV D
Similar to a Shakespearean fable of desire, lost identities, love, greed, violence, murder, deceit, power and innocence, it is a film inspired by poetry; the forgotten male, macho world of power, corruption and greed, where women are just means to an end while nobody can be trusted. It's a film that brings back poetry to cinema, songs that inspire us, shake us; sometimes a thriller, a drama, but poignant, shocking and provocative. It's a film about the conflict created as a modern India tries to break the shackles of its past.
The film which releases on 13th March sees Kay Kay Menon playing the role of one of the key protagonists called Dukey Bana who masterminds a Rajputana movement in order to have a separate state ruled by Rajputs. With music & lyrics by Piyush Mishra, the film also stars Aditya Srivastav, Piyush Mishra, Raj Singh Chaudhary, Ayesha Mohan, Abhimanyu Singh, Deepak Dobriyal, Mahi Gill, Pankaj Jha, Jessie Randhawa and Mukesh Bhatt in principal roles.
The film is about an innocent student Dileep who comes to Jaipur to study, accompanied by his faithful servant Bhanwar. Here he comes in contact with Rananjay Singh ''Ransa'' (contemporary intelligent, sensitive young man who refuses to abide traditions; his ideologies clash with his father's, the local raja), Jadwal (with old school of thought he is the college goon who rags Dileep); Anuja (professor ragged with Dileep; despair brings both together and a strong emotional bond develops between them) Dukey Bana (powerful local figure who leads an army of radical Rajputs struggling to get Rajputana back from the Government of India challenging the very idea of democracy); Kiran (uses Dileep for power and personal interest).
Against a backdrop of local political intrigue, the film begins with a Rajput conglomerate gaining strengthen as Dukey Bana and a few ex-Royals convince a reluctant Ransa to contest for the college elections on behalf of the Rajputana party; Ransa and Kiran battle it for General Secretary's post. The rivalry between the two gangs intensifies and Ransa is forced to withdraw, which he resists. Eventually this leads to his murder by Karan (Kiran's brother and Rasna's illegitimate sibling). Using the sympathy wave, Dileep is compelled to contest elections in Ransa's place and made to win.
After losing the elections Kiran tries winning Dileep trust, gets close to him and pretends to fall in love. As he tries to fit into the shoes of the General Secretary an insecure Dileep gets emotionally dependent on Kiran and distance grows between him and Anuja. Dileep finds himself trapped in political maneuvers and realizes that this is not what he had wanted. It dawns to him that he is being used by Dukey; when Dileep confronts Dukey, he is faced with a horrifying truth!
CHECK OUT: GULAAL - A film based on Rajputana movement
Dukey Bana is masterminding a Rajputana movement, to have a separate state ruled by Rajputs. In a gamut of Red faces (Gulaal is put over the faces to mask their true identity), Dileep sees the truth behind Dukey and his actions. So Dileep decides to resign from the post of the General Secretary.
Dileep resign and Kiran takes charge. As soon as in power, she refuses to meet Dileep and tries to get close to Dukey using her feminine charm. A lovelorn and rejected Dileep gets more and more frustrated, abusive and violent in desperation. This behavior creates a distance between Dileep and the people who truly love and understand him.
Blinded by his love for Kiran, Dileep goes into frenzy becoming a sorry and inevitable victim of circumstances. The whole madness around Dileep intensifies; sense of conspiracy and feeling of a fake unrequited love push him to the edge... GULAAL races to an unforgettable climax... out of the faces painted in Gulaal, a face is revealed... the face of the new leader...
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