Aitraaz movie review : glamsham.com


Director : Music : Lyrics : Starring :	Abbas-Mustan Himesh Reshammiya Sameer Akshay Kumar, Kareena Kapoor, Priyanaka Chopra

By Subhash K. Jha, IANS

A star is born! As the predatory social-climbing seductress who can go to any length to satiate her lust for life, Priyanka Chopra rocks the scene like never before.

Her character, appearance, demeanour and moralities are all inspired by Demi Moore in Barry Levinson's "Disclosure". It would be no exaggeration to say that with this one complex characterization Priyanka proves her worth.

After having burnt their hands with a vengeful car in "Tarzan: The Wonder Car" Bollywood's resident thriller-tycoons Abbas and Mustan go back to what they know best: the evil within. Whether it was Arbaaz Khan in "Daraar", Shah Rukh Khan in "Baazigar", Akshaye Khanna in "Humraaz" or Akshay Kumar in "Ajnabee", the directorial duo have always delved into the dynamics of human diabolism.

In "Aitraaz", Abbas-Mustan rip clever pages out of "Disclosure" and construct a yarn that raises sexually seething questions which are new to Hindi cinema.

Why must the male always be held responsible for clandestine happenings between men and women? Can't a man be an object of sexual harassment even in a patriarchal society like ours?

Taking on what is a patently passive part Akshay Kumar upturns all definitions of screen machismo by subjecting himself to all sorts of humiliating examinations in the courtroom where he accuses his lady boss of sexual exploitation.

Akshay takes off his shirt. But in the most embarrassing position possible.... in the courtroom to reveal love marks.

Courtroom sequences are Abbas-Mustan's forte. Paresh Rawal and Anu Kapoor as the two lawyers are in splendid form. Their gift of the gab is put to great use.

And though we often find the narrative getting submerged in verbosity - not to mention the over-layered songs shot in chic postures -- the quips and retorts, often of a highly sexual nature, flow out in a caustic cascade.

The comic interludes in the first few reels are purely puerile. You wish Abbas-Mustan would desist from focusing on peripheral sub-plots. If "Aitraaz" had avoided the digressions, and if the narrative had focussed only on the issue of gender-reversed sexual harassment, this film would've been a cut above what it is.

Kareena Kapoor's part as the wife who stands by her accused husband right into the courtroom, has been substantially fleshed out in comparison with the original where the wife was far more shadowy.

In a role that requires more conviction than glamour, Kareena appears a trifle miscast and awkward, but comes into her own in the climactic courtroom sequence where she dons the lawyer's coat to bail her husband out. Shades of Bipasha Basu's role from "Raaz" help give Kareena's part its fleshy underbelly.

But the film is undoubtedly a triumph for Priyanka Chopra. With half a smile, a twitch of her lip and a movement of her eyebrow she seems to slip into her man-eater's role with captivating ease.

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