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70 moments of reckoning of Amitabh Bachchan's films -II



October 10, 2012 07:53:41 PM IST
By Enkayaar, Glamsham Editorial
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SHAAN, NASEEB and LAAWARIS
SHAAN, NASEEB and LAAWARIS

RAM BALRAM: Ajit used to dominate the characters of Big B and Dharmendra, but the scene where Big B confronts Ajit and tells him that he should not threaten him as he can retaliate and the expression on Ajit's face tells it all.

SHAAN: For SHAAN there are in fact two scenes that set the tone, first one when he observes Rakhee becoming widow and the second scene in the saloon where Big B confronts Dilip Tahil.

NASEEB: For NASEEB the scene which was the defining moment was where Shatrughan Sinha expresses his love for Hema Malini, while Big B has come to tell Shotgun that Reena Rai loves her and he is not able to do, as he is torn between love for his friend and sister, and his helplessness in not being able to help the sister-Reena Rai.

BARSAAT KI EK RAAT: The introductory scene where Big B confronts Amjad Khan, aka Kali on the bridge hiding his face behind the floppy Panama hat, in the Mexicon dress set the tone for confrontation between them throughout the film.

LAAWARIS: The scene where Big B comes to know nearing the end of the movie that he is Amjad Khan's son as told by Sree Ram Lagoo, but cannot go and tell him, as he is his not his legal son was what made it a film of commendable performance.






 
 

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