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The bombastic sounding ''club remix'' of the situational funny track is better hear and works with the hip-shaking mood but nothing spectacular to describe in terms of DJ techno-wizardry. When we are expecting something creative or extravagant from Amartya Rahut, the anti-climax or rather we say disappointment comes in 80's stylized disco music in below average sounding ''Love Flashback''. Bappi Lahiri's ''happy-go-lucky'' singing fails to infuse ''masti'' and rather treadmills some of his loosely packed average disco songs (from his flop album ''Night Lovers'') with creepy wordings (Hitesh Kewalya) to make this strictly average soundtrack. Suzanne D'Mello is simply wasted in her oomph-y avatar while Amartya Rahut name just adds to the credits. Poignant to core!!! Amartya Rahut second big spark comes in sensuous ''blues'' number that comes with mild tones of impressive sounding Deepikka Bhattacharya in ''More Piya''. Rahut's composition shares similar tonality and decorum of expressions and arrangements to tracks like ''Maar Jawan'' (FASHION -2008) and ''Kaisi Paheli'' (PARINEETA -2005) with added melancholically jazz feel into it. Talented Deepikka Bhattacharya turns to be ''showstopper'' for this jaded musical show with a song that might promise flourishing thrive to her singing career. Rahut's work shows intellect of infusing modernity into sobriety of expressions with subtle arrangements filled with added jazz touches (saxophones, soft drums, trumpets and piano drills) sufficing to the melancholic feel of this soothing track. This soul-stirring number gets its desired due as it get honored in arriving in two different versions (''Tapori'' and ''Bar'') where ''Tapori'' has street-smart ''Poetically Mumbaiya'' one-liners by actor Kay Kay Menon, while ''bar'' version comes out pristine with Deepikka's silken ''n'' touching voice. Expressive!!! AAGEY SE RIGHT is rightfully average album that leaves you with two worth-hearing destinations to be traveled again in the form of ''Mahiya'' and ''More Piya'', thanks to some great singing and trendy composing. Amartya Rahut's first big outing fails to be as enterprising as it was for other gifted new talents like Sachin-Jigar (TEREE SANG) or Sharib-Toshi (JASHNN) and works strictly to the needs for this frothy comical ride. This ''gun-on-the-run'' has to find good fortune at the box-office in making all bullets hitting straight into the bull's eye.Rating - 2/5
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