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Shashank Singh Baba makes another romantic solo maneuver in "Teri Yaad" that comes with a slightly better sounding composition. Sanjeev-Darshan makes topsy-turvy moves with varying shades of percussions and electronic beat sounds that grow infectiously in its narrative flows. Once again, Sameer's lyrics prove to be too outmoded and the overall impact of appealing young listeners sounds lackluster. Shashank delivers out better performance but neither the composition nor wordings helps in making the song, a likeable commodity.
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Sanjeev-Darshan make efforts in brining out 90's Bollywood charms by picking up contemporary Nadeem-Shravan's peculiar style of composing in "Rim Jhim Sawan". It brings back Shashank Singh Baba with sweet sounding Shweta Pandit in softer romantic tones. Sameer's worthwhile wordings would have been bliss in early 90's but now phraseology sounds outdated with music that is more akin to lure 90's listeners.
Shweta Pandit proves to be ultimate winner amongst the lead singers as her silken vocal textures gesticulates out the innocent emotions of "first love" in captivating "Dil Ye Mera Dil". The soundtrack has trendy flair in its rhythmical westernized orchestral flows and soothing English chorals but overall composition fails to grip. Sanjeev-Darshan make substantial grounding in wooing present-day listeners with its soft-silken melodic charms but still fails much short in expectations. It will certainly be raising Shweta's prospects and this song will surely be an asset (if not a success) in her credits.
Suzanne intoxicating vocal flare hits high and low in the concluding soundtrack "Masti Bhara" that sounds like an old-fashioned 70's cabaret number. The tempestuous feel is obsolete and the seductive feel sounds lousy and superfluous.
Sanjeev-Darshan comeback vehicle KAASHH MERE HOTE runs out of fuel, even before it could roar up for the final countdown. The album's lonesome promising aspect lies in pompously festive "Teri Naganee" while the rest of the tracks sound average to poor. The honest attempts in refurbishing 90's style of music have gone haywire and the results are discouraging.
Rating -1.5/5
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