“Akele Tanha”, a painfully sentimental offering by Tulsi Kumar comes out as situational emotional number that talks about separation and thereby pains of isolation in morose vocal tonality. Pritam’s music is enriched with “lounge” music impact this time as the recurring and reverberating “lounge” effect gives it a euphoric feel of “lost paradise”, similar to Bally Sagoo’s style of DJ mixing impact used in vintage sentimental tracks. Tulsi Kumar’s improvises and lives up to the situation well but Sameer’s extra strenuous and heavily burdened lyrics prove too weighty and cumbersome for average listeners. It has more inclination to Bhatt’s camp of musical styling but overall it culminates as above average situational track that should be making its presence felt in the film. Prasanna Shekhar, an RGV’s specialist and protégé composes a typical RGV flick style track in the number “Awaaz Koi”, where the scary and daunting musical thumps along with forbidding and shaky vocals creates a feel of intimidating impulse. The bloodcurdling and frightening feel invigorates furiously with horrifying and spine-chilling musical backdrop with Priyadarshini’s vocals usurping and blending well with the arrangements. It has the peculiar feel of obsessive love felt in “Roundhe Hai Mujhe” (PYAR TUNE KYA KIYA) by Sowmya Raoh and terrifying effect of “Aake Darr” (DARNA ZAROORI HAI) as its atypical orchestration makes it a RGV’s special track. Melody hits to its supreme end as acme of melodic presentation brightens up senses in mellowed paced sentimental track “Hasaye Bhi Rulaye Bhi”. Shaan’s velvety touch vocals disclose the various shades of life with Sameer’s ever-vibrant lyrics give it a soulful motivation. Tulsi Kumar, a T-series favorite adds substantial voicing in this teenybopper’s delight track with her meek “n” mellow styled singing. It’s a welcome relief from RGV on musical front as he switches gears to more viable musical format rather than enforcing his decayed musical style of work. Pritam’s musical prowess proves a binding force that will positively evoke a better response for this track and probably a soothing relief for ears in the film. “Hasaye Bhi Rulaye Bhi” (remix) comes with a relaxing feel in a contemporary “club” remix style of mixing where DJ claps and beat-juggling effect makes mood subtle with soft mushrooming instrumental flow. Enjoy it! DARLING brings melodic and vibrant shades and aspects of RGV style of working and by far the most audibly and commercially viable presentation on musical front in recent times. Himesh Reshammiya excels as guest composer in “Tadap” while Pritam regains his top slot with back-to-back hits like “Saathiya”, “Aa khushi se khud khushi kar le” and “Hasaye Bhi Rulaye Bhi”. DARLING will positively outsmart RGV’s earlier offering in big way and will add one more feather to the composer’s crown.
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