By Satyajit, Bollywood Trade News Network

The title track “Aggar” comes with an innovative harmonic feel as the “lounge” styled of relaxed feel forms the impressive backdrop while fine textures of soft pitched Arabic musical flair is delivered in its vocal and tuneful flow. The vibrancy and resiliency of traditional Arabic musical flair is conceptualized appreciably in the resonating vocals of Hamza Farouqi with impressive Tulsi Kumar adding delight to it. It has sensuousness in its ambience and can well be materialized in seductive acts or in erotic situations of the film with dim lights and candles adding finesse to the flair of its mystifying romanticism. Its innovativeness is the plus point but overall it sounds more like a conventional seductive track that evokes the feel of lust, deceit and desire in its feverishly paced mood and style.

Mithoon forms another vocal concoction with soulful emotions of eternal love as his husky voice strikes back with svelte and silken vocals of Sharmistha in mellifluously delightful track “Paas Aaya Kyon”. Like “Beete Lamhein” and “Tere Bin” (BAS EK PAL), it’s slow paced arrangements coupled with European stylized “lounge” effects creates an serene and tranquil feel of “lost paradise” that is emanated effectively in soothing vocals. It’s a major highlight of the album and by far the most impressive in terms of vocals and arrangements where Sharmista’s modulating silken vocals are biggest surprise and sheer delight to melodic ears. Hear it again and again to feel the tenderness of painful love!

Mithoon communion with Roop Kumar Rathod delivered a soul-stirring experience in “Maula Mere Maula” and now the combination delights again in “ghazal” attire musical orchestration in the soundtrack “Sehra”. It’s no match with “Maula Mere Maula” in terms of musical grandiosity but an impressive harmonic delight that enchants with pleasantly paced “ghazal” musical flow. The finesse of Roop Kumar “ghazal” singing with dash of Shilpa Rao in the backdrop is ebulliently exhibited with sauntering and shimmering arrangements. Despite its heartwarming harmonic feel in its soft-pitched modulating orchestration and mellowed voices, one can easily miss the “soulful” appeal that transcended expressively to the mind and senses with “Maula Mere Maula”.

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