The subtle vocal mode of Himesh Reshammiya with shimmering paced rendition of Sunidhi Chauhan makes striking presence in impressive duet “Yehi Hota Hai Pyar”. The soft instrumental work of “Santoor” clubbed with “Sarangi-tabla” loop creates decorum for sensitively pitched soundtrack. Poetry’s encapsulated in enchanting verses glorifies feminine grace in the prelude followed by striking natural delights as the conventional Sufi musical packaging sets the base for the “Yehi Hota Hai Pyar (mehfil mix)”. It forms brilliant “jugalbandi” between Reshammiya’s singing and Javed Akhtar’s poetic interpretation and predictably makes itself special for class listeners.
“Yehi Hota Pyar Hai (remix)” proves unwelcome guest after poetic affluent rendition of “Mehfil mix” version but makes itself into collection of finely tuned Akbar Sami’s composed remix works. UK based “Bhangra” hits the deck with thump and makes noises in highly animated and emotionally uproarious rendition of RDB (UK based rock group) in “Rafta Rafta”. It picks up with Arabic musical pulse followed with sluggishly punched folk beats. It’s first major presentation where Reshammiya has imported foreign talents in their own flair and it promises musical feast for NRI’s listeners. “Rafta Rafta (remix)” has jarring impact with loud rap rendition that proves ear-deafening but has the infectious impulse to shake booty on the floors. Unbelievable to sound, the most melodious musical work comes from the vocal chords of upcoming musical talents Jayesh Gandhi and Akriti Kakkar in sensuously poised “Aanan Fannan”. Reshammiya packs it tight with rhythmic patterns of “Soniye” (AKSAR) and it even scores well on lyrical contents and vocal excellence. The silent vibes that strikes flammable chemistry between lovers gets into bundle of refine poetry as Jayesh loud pitched vocals emotes out with grace in “Aanan Fannan (mehfil mix)”. It narrates well through megalomaniac poetic verses and sounds superior to original work. Pub culture galore in conventional club mix mode as the beat-matching and DJ claps takes over the show in pulsating “Aanan Fannan (remix)”. The svelte passion of Alisha Chinai sensuous singing bid farewell to the long and tiring musical proceeding in average soundtrack “Dilruba”. It traces back Reshammiya old fashion musical arrangements with Zubin Garg loud vocals making notable team work with Alisha’s vocals. Reshammiya obstinately accommodates with “Dilruba (remix)” with routine club remix with minimum impact. NAMASTEY LONDON welcomes back Reshammiya into musical arena with bang as he was written off by his detractors but traces back his dream run of successes. The disappointment gloomed in mediocre numbers of RED seems to have patched up well in the fun packed bonanza of NAMASTEY LONDON. The major highlight proves to be MEHFIL MIX that propels new methodology for poetic affluence in film music. It may be first big musical hit of the year and predictably will prove major thrust for its connoisseurs. Innovatively brilliant!
After a long hiatus Kabir Bedi is back and this time on...
For the film-star it is looks that determine their pers...
Among all Indian films by the new age Indian filmmakers...
Though AURANGZEB didn't quite take the kind of bumper s...
Karishma Tanna, an Indian Television turned Bollywood a...