Vicoria No.203 music review : glamsham.com


Director : Music : Lyrics : Starring :	Anant Mahadevan Viju Shah Asif Ali Beg Om Puri, Anupam Kher, Jimmy Shergill, Preeti Jhangiani, Sonia Mehra.

By Satyajit, Bollywood Trade News Network

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Viju Shah, a name synonym with the magical success of rollicking �qawalli� �Tu Cheez Badi Hai Mast� (MOHRA (1994)) and snazzy discotheque bonanza �Duniya Haseeno Ka Mela� (GUPT (1997)) has been off the track lately. His latest outings in mediocre albums like ASAMBHAV, YUN HOTA TO KYA HOTA and SHIKHAR hasn�t been of his standards that he excelled and triumphed in early 90�s. VICTORIA NO.203, his latest submission proves to be pits of his musical vocation for its wearily driven compositions and wretched arrangements. Viju Shah�s prowess is at its �all-time-low� and has skidded to dearth to mediocrity with no single impressive score to album�s credits. Unfortunately, this musical genius insipid and jaded work is too hopeless and incompetent to match up the standards of his predecessor�s (Kalyanji-Anandji) work.

Viju Shah tries to incorporate the soft mushy feel of �Dheere Dheere� (SHIKHAR) with rather timid and sluggishly paced arrangements in lifeless duet �Deedani�. The old-fashioned harmonic style has been skillfully coordinated by ever reliable Shaan and mellifluous Shreya Ghoshal but overall it�s a sloppy track with zilch impact.

�Do Bechare�, an immortal �escapist� cinema soundtrack that invigorated comical tinge in �diamond heist thriller� is renovated into trendy hip-hop mode with dismal outputs. Udit Narayan and fervently audible Amit Kumar get into the shoes of legendary duo singers (Kishore Kumar and Mahendra Kapoor) amicably but Viju Shah�s higgledy-piggledy music is too hard to digest. It�s no contest to Ganesh Hedge�s improvised version of �Mehbooba� (RGV KI AAG) and too meek to be anything similar to cinematically figurative �Yeh Mera Dil� (DON).

The theme track �Victoria No. 203� hires its techno-electrifying prelude from theme track of DON where the �Bond� style rip-roaring flair simmers up with raunchy vocals. Dominique�s sensuously flowing accented voice comes with the grueling and thrilling thrust of �diamond heist� thriller in remarkable ways. It catalyzes more like an initial or end title musical work and certainly a promising background score in compelling moments of the flick. Annika delivers the second version with slightly thinner voice that�s more akin to enticing acts through voguish charm echoed with similar tonality and textures.

Viju Shah�s disharmonized another vintage act �Thoda sa Thero� with topsy-turvy rhythmical flow and pugnaciously punched arrangements where Shreya Ghoshal fills in for Lata Mangeshkar replacement for the track. This time its over-bouncy orchestration of �Main Cheez Badi Hoon Mast� (MOHRA) with added classical instrumental works that proves extra jarring to ears.

�Zindagi Aa Gayi�, a fervently vociferous track has blend of Sufi Rock and �bhangra� thump that works aggressively with ever enthused vocals of Zubin Garg. It�s cut-above-rest from the rest of the musical works for its trendy flair and is presumed to be surrogated choice for �Tu Na Mile To� (VICTORIA NO. 203 (1972)). Even this vigorously motivated track isn�t inspiring enough to be any chartbusting stuff and works mechanically with the joyous sentiments of the flick.

VICTORIA NO 203 is a bundle of musical disenchantment and proves to be one of most forgettable works of this year. Viju Shah has failed miserably in recreating the magical madness of 70�s magnanimous thriller. It�s scores a big zero on the musical front as none of the soundtracks promises anything strikingly impressive in their lackluster rendition.

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