RGV?s films have been benevolent towards upcoming talents and GO; a vivaciously perky youthful flick follows this free-handed trend. This RGV musically stylized album boasts upcoming talents like Sneha Khanwalikar at the prime slot followed by ensemble of his prot?g?s. Like its athletically sporty title, the album too boasts numbers that are credited with exclamatory wordings (?Oooh?, ?Go?, ?So Cool? and ?Dhan Tan Tan?) but the end results isn?t anything ?cool? or ?oooh? for ears.
It?s romantically intimidating overtures of eternal communion that haunts rather than strikes with huskier vocals and westernized soft-pitched in mushy ?Kaash?. Farhad Bhiwandiwala along with Priyadarshini impresses with their lethargically pitched voices with effective violin and chilling percussions giving it a sensuous edges. Upcoming composer Sneha Khanwalkar along with Prasanna Shekhar revamps RGV?s sultry track ?Zehreela Zehreela Pyar? (DAUD) by decimating its thriving tempo and infusing it with traditional westernized arrangements. Amar Mohile tries to recreate this seductive feel in ?Kaash (remix)? but there is hardly anything strikingly different in terms of melodic excellence or vocal modulation than the original version. Both versions sound too ?cold? to strike any blow to hoi polloi but still impresses with its soft tranquil effects.
Sneha Khanwalkar makes first splurge as solo composer by invigorating trendy Tollywood stylized beats and tunes for a contemporary romantic duet in ?Oooh?. It?s more akin to South Indian cinema for its raucously punched orchestration and intense loud singing and comes in the vocal strengths of Vinod Rathod and Sunidhi Chauhan. Even the seductive crooning of ?Ooooh? followed by sensuous moans and shrieks hardly adds anything substantial to its prospects. Milind Gadgkar?s mischievous lyrical flow is feasible to the situation but the music proves too parallel to be accepted. ?Oooh (remix)? by Amar Mohile hardly creates any ripple with conventional remixing in a racy hip-hop thrust with minimal impact.
?Go?, the title track is poor lift from A R Rehman style of work in DAUD infused with tattered ?James Bond? style of racing signature tunes ending in delivering an unending irritating jarring effect. Sneha Khanwalkar?s composition disappoints completely with haphazard arrangements while Kunal Ganjawala along with Meenal Jain and Suzanne shrieks out in delivering an irksome track. It befits in initial or end titles than adding any meat to the credentials of the album. Avoidable!
There's so much rain in the film that you are left wondering whether the film was shot during the monsoons; if not, my rough guess would be that over 20,000 water tanker may have been used, if not more.
As for the story, there's a CM, a deputy CM (bumped off by the CM), a super sleuth, a buffon for a maniac killer, two sets of parents and lots of extras.
After two hours of senseless viewing you wonder how Kay Kay Menon and Rajpal Yadav signed on for this RGV flick!
Ratings : 0/5