Paresh Mokashi next linked to the journey of the Pandavas in the Mahabharata
Paresh Mokashi, Writer, Director of the Marathi film HARISHCHANDRACHI FACTORY or THE FACTORY OF HARISHCHANDRA, India's entry to the Oscars, while on a visit to Digital Academy - The Film School, surprised the students when he said that he had never assisted any Film maker before he started making this film and also revealed that the first time that he ever visited a Film set was for this debut film of his. He had been part of Marathi theatre for a long time as an actor, writer and Director. He said that the greatest two qualities that any Film Maker should have apart from the know-how of the technique of Film Making is clarity of mind and stubbornness. He said that most of what he learnt about Film making was by seeing films, many made by the masters of Cinema. He said that he did spend a lot time watching the treasures of world cinema in the National Film Archives in Pune and it is by watching these films that he enhanced his visual sense and knowledge. He said that this is what helped him have clarity of mind as to what he wanted the film to look like and this was most of the battle won. If a Director is confused, then the crew will take over the decision making and ultimately the look of the film will reflect that. Once a director knows what he wants, stubbornness helps in sticking to his decisions.
Speaking about the film's journey, he said that patience is a necessary quality in this business. He said the budget of this period film was about 3.5 crores , an unusually high figure for an Indian regional film whose recovery in the box office is very difficult. He said that when he selected his crew, all of them i.e. the cinematographer, costume designer, etc. had never done a single film independently before. After the wait for finance of almost three years, he was the only person in the crew who was making his debut... all of the other technicians were experienced by a few films...
Paresh then spoke about research he had to do for a period subject such as this. The film concentrates about a period in the life of Dadasaheb Phalke, the father of Indian cinema, when he made his first film RAJA ( KING) HARISHHANDRA. The entire story deliberately was chosen not to be a biographic but about the time when Phalke was Directing and producing his first film. It was also given a humorous touch because Mr Phalke, according to many sources did have a good sense of humor. Research was an exciting part of the process because not only the city and costumes looked different, also the sound of the rickshaws operating then had to be sourced and or produced to get as close as possible to the original.
Speaking on the Oscars, he said, "I am not surprised that my film did not make it to the final list of the Oscars as the final five were much better than my own film."
He was happy to inform that the next film revolves around an archaeological treasure hunt and is linked to the journey of the Pandavas in the Mahabharata.
The students were very enlightened by the visit of Mr Mokashi and after being given a tour of the Film School, Mr Mokashi was delighted with the facilities of the school, its vision and objectives of creating visionary Film makers of tomorrow.